The static mix

Your arrangement and sound choices are in place. Start this mix pass with what is already there: track levels, mute decisions and panning where it helps. A static mix is a useful balance before adding further mix processing; it is not a rule that every effect must be off. Keep processing that is part of the sound design, such as a synth patch whose character depends on its effects. If you temporarily bypass a mix processor to hear its contribution, restore it when the comparison is done.

LISTEN

Play the whole arrangement at a comfortable level. Follow the focal element from beginning to end. Note parts that dominate, disappear, compete because of level, or add density without a clear role. Ask whether the balance changes meaningfully between sections.

TRY

Make a rough balance by changing one or two track levels at a time. Mute a part briefly to decide whether it contributes; restore it if it does. Try a modest pan only when it helps the arrangement. There is no universal fader starting position or required peak target. If you work in an existing project, keep its intentional sound design and investigate only the mix balance.

APPLY

Set a considered starting balance across the complete arrangement. Write what carries attention and which level or mute decision helped. Preserve a clearly named project version or bounce as your static-mix checkpoint. Choose any naming approach and keep the project files under your control. Compare this version with your complete-arrangement checkpoint.